ANADU RESORT 阿那度度假村

LOCATION 地址  | MOGANSHAN 莫干山
CATEGORY 类型  |  HOSPITALITY 酒店度假村

ARCHITECTURE 建筑
INTERIOR 室内设计
FEE 软装设计
VISUAL IDENTITY 视觉识别设计

AREA 1200 m²

READ MORE 更多

Studio8 was commissioned for the visual identity, interior design and architecture of Anadu. Anadu wishes to provide to its guests with a peaceful holiday experience in nature. Keeping the local and environmental character of the location is one of the main concerns during the project development. From construction materials to design elements, and even food ingredients, Studio8 has tried to take full advantage of local resources. In terms of architecture and space design, Anadu is integrated into the surrounding landscape. The studio’s initial approach to the design concept: “Get along with nature, talk to yourself” gradually evolved into the core of the brand’s motto: “Find yourself in nature”.
The surrounding landscape of the project site is rich and unique:; however, after a first contact with the site, the studio team felt something was missing: a lack of water presence. Water itself, and especially a very calm water surface, generates immediately a sense of relax. The studio decided that this element would be the core of the hotel, a connection between the rooms that articulates the structure of the entire building. For that purpose, the roof of each floor was turned into an infinity water feature. By bringing natural elements into the architectural spaces, the design fosters a connection between the building and the outside. “Find myself in nature” becomes, then, a reality when experiencing the different rooms.
Four narratives are unfold in Studio8’s design, and become the themes of the rooms. Each room has been designed as an individual space, with its own story focused on elements that one can find within the surroundings. Each of these elements awake a different sense, or provoke a sensorial phenomenon.
1. Tea – This room faces the white tea harvest; the materials and color palette of the interior design echoes the tea theme.
2. Mountain – The room faces the mountain on the south, and the materials are natural stone and the color palette is dark grey. The water feature is designed to reflect the distant mountains.
3. Bamboo – The room faces the bamboo forest in the east, and its interior has a rice pink color palette and several objects made of bamboo wood.
4. Sky – The room is located on the third floor, which is also the top of the building. It is almost immersed by a boundless water feature, turning the room into a floating island. The studio designers challenged themselves to explore the poetic boundaries of the project’s concept. The third floor, then, was conceived as a platform able to behave like a mirror, and reflect almost the entire surroundings and the sky.

莫干山Anadu度假酒店
水与境之间:在自然中找到自我
Anadu位于浙江湖州的莫干山脉北麓,坡地院落占地30000㎡,东瞰琛碛村,南眺凤凰山、大岗山,西临白茶山坡,北有竹林环绕。
「八荒设计」担任Anadu酒店的品牌视觉识别系统建立,以及建筑和室内设计。Anadu希望为住客提供一个身处自然的宁静度假体验。因此,保持当地的人文和自然氛围成为整个项目非常重要的关注点,从建筑材料到设计元素,甚至食材,都最大程度地充分利用当地资源。于是在建筑与空间的设计中,Anadu被融入到周边的自然元素之中。「八荒设计」最先提出的设计概念:“跟自然相处,跟自我对话”,渐渐也演变成了品牌的核心Slogan—“在自然中找到自我”。
项目基地周边自然景观丰富别致:西面有葱绿且机理独特的白茶坡、北面有连绵叠嶂的远山,东面有茂密深幽随风摇曳的竹林。但「八荒设计」注意到,基地周边缺少了“水”的元素。水,尤其是一池平静的水面,能让人瞬间心情静怡。Anadu想要给住客“一个能够让人发呆一天不想出门的房间”。除了自然风景,如果能给人带来亲水的空间体验,将制造出另一个象限的“境”。水同茶、水同山、水同竹的交合,不但拉近了人与水的距离,同时也建立了建筑空间与自然元素的连接,除了欣赏风景,更创造了心境,才真正能让人能“在自然中找到自我”。

设计初始,「八荒设计」并没有从建筑本身的形态出发,因为他们认为空间的使用者与自然的关系才才是设计的关键。建筑的三层楼均有无边亲水台:一楼的泳池、二楼南面阳台的无边水景、三楼整层屋面的无边水景,每一层都有独特的景致,一层比一层更令人意外

CONSTRUCTION 施工过程

ANADU RESORT 阿那度度假村

GUD RESTAURANT&BAR 古冬餐厅

01_1F bar 一楼鸡尾酒吧 04
01_1F bar 一楼鸡尾酒吧 08
02_1F VIP entrance VIP室入口
03_1F stair case一楼楼梯
05_2F restaurant二楼用餐区 03
05_2F restaurant二楼用餐区 04
05_2F restaurant二楼用餐区 07
detail stairs
08_2F stairs二楼楼梯 02
07_2F balcony二楼阳台01
09_3F terrace三楼露台 03
detail niche 01
detail niche 02
detail restroom 01
detail restroom 02
06_2F stone window frame detail二楼石窗框细节

LOCATION 地址  |  HANGZHOU 杭州
CATEGORY 类型  |  F&B 餐饮

HISTORIC BUILDING RENOVATION 历史建筑改造
INTERIOR 室内设计
FEE 软装设计
VISUAL IDENTITY 视觉识别设计

AREA 495 m²

Gud is a museum-like restaurant and cocktail bar located in a 1930s heritage building. The culinary peculiarity of hotpot is transformed into a physical canvas to highlight the continuous interaction between food and space.

古冬坐落于一栋三十年代的历史建筑内,是一家以火锅博物馆为主题的餐厅及鸡尾酒吧。火锅的饮食文化与烹饪方式被抽象地与建筑紧密结合,营造空间与味觉之间连续的互动。

READ MORE 更多

HOTPOT “MUSEUM” IN HISTORIC VILLA
— STUDIO8 designs GUD Restaurant & Cocktail Bar in Hangzhou

Located in a heritage building from the 1930s in the central area of Hangzhou, GUD is a restaurant and cocktail bar specializing in hotpot cuisine and craft cocktails. STUDIO8 was commissioned to design the architecture re-use, interior and visual identity for the project.

Unfortunately, as happens with many buildings in China throughout modern history, the villa was almost “eaten up” by the city from 1939 to 2020, with only one complete façade left facing the street. The interior was also renovated, extended and changed several times, from residential to multiple commercial uses.

The site includes the villa originally built in 1939, its extension in the north and the ground floor space from the building next door to the west. The architects were given the site to turn into a hotpot restaurant. STUDIO8 believes the best way to preserve a historic building is to make it functional to meet today’s needs, giving a new life to it. The three-story villa was a residential building without any restroom or large kitchen. The re-use of it demanded a delicate and respectful renovation. Therefore, service and utility spaces such as kitchen, restroom and a vertical connection for public use were arranged into the extension and the building next door, leaving the villa for pure culinary experience.

Referencing the richness of the site’s heritage and the culinary peculiarity, the concept was strongly inspired by the food culture and atmosphere and takes a more abstract approach. To STUDIO8, it was extremely important to create, and consequently experience, a physical canvas created to highlight the continuous interaction between food and space.

Rather than showing specific local or historical characters of various hotpots from all over China, after studying the core of food culture thoroughly, the architects decided to transform hotpot’s cooking principle into a unique museum-like experience in on different levels. They named the restaurant “GUD” after the historical name for hotpot in 220 AD – “GuDong pot”, like the sound of boiling soup. The logo design was inspired by the shape of copper pots used in that period as well.

In Chinese culture, eating hotpot is a special and important moment where people gather, mostly a group of friends or family, to share food and joy. With heat (from fire or electric stove), the ingredients are deconstructed by the energy and then reconstructed in liquid (water or soup), thus being elevated, together with the time spent among people, to another level of flavor. As the three key elements in hotpot, heat (fire), medium (water) and elevation of flavor (steam) were respectively correlated to each floor as in function, materiality, textures and light.

As the first element, heat – the energy that boils the liquid – is a fundamental design factor to the first floor, where human interactions were planned out accordingly. The aim was to create a warmer and more welcoming space at the beginning of the hotpot experience, where people and friends can meet first, have a cocktail and wait for everyone to arrive. Therefore, the first floor is designed as a cocktail bar to act as an energy generator and set the mood. Red floor, fireplace extended towards the ceiling, bottom-lit boiserie, rising sculptural columns that display antique hotpots, and scattered red velvet sofas were designed to give a dynamic and energetic ambience. Metaphorically being deconstructed by “fire”, these elements create a more vivid and warm interaction amongst people. Part of the original brick wall façade was kept and exhibited in the bar to recall the building’s past. A recessed mirrored ceiling at the side of the wall and the doorway towards VIP rooms expands the space and takes the experience to the next level.

After passing through the heated cocktail bar, comes the second element, water – the medium that reunites all elements. Family and friends are seated together in groups around the round tables at on the second floor for the food experience, a process that the architects relate to water reconstructing the atoms of the ingredients. The second floor is surrounded by glass brick niches, reusing the depth of old windows on the original façade blocked by neighboring buildings. Resin blocks with different cores are displayed as an abstract hint of recomposed flavor. On this floor, an old wall with a stone window frame was preserved and used as a partition between tables. The wooden roof structure and balcony were also carefully protected and highlighted.

The old wooden stairs of the villa were very narrow, steep and badly damaged, couldn’t serve the current F&B function. For better circulation, the architects relocated the vertical connection of the building to the patio space of the existing building extension. To enhance the experience, the new staircase is covered with double glazed U-shaped glass partitions along all floors with a lighting system to represent the continuous energy flow transition, at the end of which is the terrace space and a more exclusive private VIP room. Here, the customers are reconnected with the city and able to look at it from the different heights and angles, corresponding to the last element – steam – elevation of taste. The simply designed interior shows off the geometric shape of the attic, while benches on the roof allow customers to have a more exclusive interaction with the city.

The architects also carefully designed a few other visual features. The stainless canopy on each floor to highlights the beauty of the preserved façade while hiding the gutters. The curved copper board at the entrance serves as a wayfinding sign without changing the original parapet. The stainless steel board on the terrace covers the outdoor equipment and adjacent buildings, creating contrast and solitude, while adding a contemporary touch.

Over the past few years, STUDIO8 has been working on various restoration projects such as Cloud Hotel, Charcohol Restaurant & Cocktail bar, Himalaya Yueyang (under construction) and Former residence of Xu Chongzhi (under construction). As a multidisciplinary architecture studio with mixed Chinese and European culture, STUDIO8’s has been creating story-telling spacial experiences under the principle of designing for the present and respecting history and local culture.

历史建筑中的火锅“博物馆”
——八荒设计杭州火锅餐厅旗舰店

GUD餐厅位于杭州市中心的一栋建于上世纪30年代历史建筑内,是一家专注于火锅美食和鸡尾酒的餐厅。八荒设计受委托担任该项目建筑改建、室内和视觉识别系统的设计。

就像中国的许多老建筑一样,很不幸,从1939年至其被交到建筑师手里,这座别墅几乎已经被城市“吞噬”,只有一个完整的立面面向街道。内部也被进行了多次翻新、扩建和改变,从住宅到各种不同的商业用途,室内原貌已经无从辨认。

交给八荒需要改造成火锅餐厅的场地包括:建于1939年的别墅原址、其北侧扩建部分,和西侧相邻建筑的底层空间。八荒设计向来认为,对历史建筑的最佳保护方式是使其满足当今的功能需求,赋予其新的生命。曾经的这栋别墅是一栋住宅,当时并没有公共卫生间和工业厨房这些功能。对这栋历史建筑的修缮和再利用需要非常细腻和小心,为了保护和尊重原建筑,厨房、洗手间,以及可供公众使用的相对宽敞的楼梯等服务性空间,都被安排在了原建筑之外的扩建区域和相邻建筑内,从而将这栋三十年代的历史建筑空间保留为纯粹的美食体验空间。

该项目的空间设计理念很大程度上受到了建筑历史的特殊性和火锅这一极具中国特色的烹饪文化的启发,通过抽象的方法描绘饮食文化和氛围之间的关系。对八荒来说,一个餐饮项目的空间最重要的就是应该成为美食体验的“画布”,旨在突出食物和空间之间的持续互动。

在深入研究火锅烹饪历史和饮食文化之后,八荒决定摒弃火锅丰富多样的地域或传统色彩,将其核心烹饪原理与建筑更紧密的结合,并转变为多层次的博物馆式体验。他们将餐厅命名为“GUD-古冬”,源自火锅自东汉时期因投料入沸水时发出的“咕咚”声而得名的古称“古董羹”,logo也由当时使用的铜锅形状及建筑的原始地砖片断变化结合而成。

在中国文化中,火锅是非常特殊的主食,而吃火锅的过程则是非常重要的时刻,朋友或家人聚集在一起分享食物和欢乐。通过来自火或电炉热量,食物分子被能量溶解,然后在液体(水或汤)中重新融合;最终,美味连同人与人之间所度过的时间一起,被提升到另一个欢乐的层次。作为火锅的三个关键元素,热量(火)、介质(水)和风味提升(蒸汽)被分别从功能、材质、机理和光线这四个方面与每个楼层连接,也就是之前所提到的,用抽象的方式阐述火锅饮食文化的博物馆式体验。

作为第一个元素,热量——使液体沸腾的能量,是一楼的基本设计元素,这一点也体现在了功能和人的互动上。火锅的饮食文化是需要大家到齐一起开始的,因此作为火锅体验之旅的开始,别墅的一楼被设计成一个鸡尾酒吧,创造了一个更热闹、温暖和吸引人的空间,先到达餐厅的人们可以自由在酒吧落座,点上一杯鸡尾酒,等待每个人的到来。如同能量的加热器,点燃气氛。红色的地板、延伸至天花板的壁炉、底部发光的玻璃护墙板、从地面升起的展示古董火锅的红色立柱,和灵动摆放的红色天鹅绒沙发,旨在营造出充满活力和沸腾氛围,隐喻被“火”的能量所“煮沸”的生动和温暖,以及人与人之间的互动。原建筑立面的部分原始砖墙被保留并展示在酒吧区内,以唤起对建筑的记忆。内凹镜面天花板在墙壁的一侧和通往贵宾室的入口,将空间向二楼水的主题拉升。

通过热闹的鸡尾酒吧,来到象征第二个元素——水的二楼用餐空间。就像水作为媒介,溶解并重构食材的分子,家人和朋友围坐在圆桌旁,享受美食和共同度过美好时光。二楼四周的玻璃砖壁龛利用了被相邻建筑遮挡的原始建筑窗户的深度,壁龛中展示了被树脂块包裹的原石,抽象地象征了食物分子在液体中被融合重组的形态。这层楼同样保留了原建筑扩建后被归为室内空间的带有石窗框的旧墙,作为用餐空间之间的隔断,木屋顶结构和沿街阳台也被小心修缮后保留和展露出来。

原别墅的旧木楼梯非常狭窄陡峭,且已损坏严重,无法满足当下的餐饮功能。因此建筑师决定将建筑新垂直交通安排在建筑北侧原扩建空间的天井内。为了提升体验,新楼梯的所有楼层都覆盖双层U型玻璃,结合照明,使空间光影过渡流畅。楼梯尽头通往露台和阁楼,阁楼用于更私密的贵宾聚会。在这里,顾客与城市重新建立联系,能够从不同的高度和角度看待它,对标作为最后一个元素的蒸汽和品味的提升。室内设计用纯白反光的艺术涂料展示了阁楼天花的几何形状,屋顶上的长凳让客户与城市有更独特的互动。

除此之外,建筑师还做了一些其他的视觉引导装置,例如每层的不锈钢雨篷在隐藏了排水沟、电线的同时结合了照明功能,保存和突出了原始建筑立面装饰元素的美感;入口处弯曲的铜板作为品牌导视标志,但不接触或破坏原始护栏;露台上半镜面半拉丝的不锈钢板,遮挡了室外设备和相邻建筑,旨在为建筑带来清新的对比和小环境,增添一些精致的现代感。

八荒设计近年来参与和完成了诸多(历史)建筑改造项目,如云顶堡精品酒店建筑改造、巧客餐厅与鸡尾酒吧建筑改造、岳阳喜马拉雅改造(在建)和许崇智旧居改造(在建)等。作为一个有着深厚中国和欧洲文化融合的建筑设计事务所,八荒一直秉承尊重历史和在地文化、立足及服务于当下的设计理念,为大家创造一个又一个有故事的空间体验。

BEFORE AND AFTER 改造前和改造后

CONSTRUCTION 施工过程

GUD RESTAURANT&BAR 古冬餐厅

PRIVATE VILLA 私人别墅

LOCATION 地址  | ZHEJIANG 浙江
CATEGORY 类型  |  HOSPITALITY 酒店度假村

ARCHITECTURE 建筑
INTERIOR 室内设计
FEE 软装设计

AREA 300 m²

Pine villa is nestled in a secluded valley in Zhejiang, embraced by surrounding pine forests and backed by the natural screen of Pingfeng Mountain. This boutique estate consists of a wine and cigar bar alongside three panoramic guest suites. Pine Villa is the second luxury retreat we’ve designed for Anadu, continuing the philosophy of the first Anadu Resort: “Find yourself in nature.” Our goal, from planning to architectural design, is to highlight the unique beauty of the valley’s pine forests, harmonizing with the natural landscape to create an ultimate retreat experience exclusive to Pine Valley. The buildings are carefully placed along the contours of the valley, with each structure oriented differently to maximize the unique views. Guests are invited to immerse themselves in the serene valley breeze as they begin their journey of tranquility.

松境度假庄园坐落于浙江一处全围合的小山谷之中,背靠屏风山,周围松林环抱,是一座由一栋红酒室和仅三栋全景客房组成的微型精品庄园。松境是我们为Anadu设计的第二家高端隐世度假村,沿用第一家Anadu度假庄园(Anadu Resort)“在自然中找到自我”(Find yourself in nature)的座右铭,无论从规划还是建筑设计的角度,我们都希望发挥这座山谷独特的松林景色,回应场地自然印记,打造更极致的独属松境隐居体验。于是建筑群顺应山谷肌理依势而建,每栋建筑布局朝向因景而异,与地形连接各不相同,并都拥有独特的景观视野,人们可以在谷地清风中开启沉浸式度假之旅。

READ MORE 更多

The journey begins at the estate’s entrance, where a bamboo-textured concrete and charred black wood “L”-shaped gate seamlessly blends into the landscape, like open arms—on one side embracing the valley’s greenery, on the other welcoming guests. As visitors drive along the pine-lined road, they arrive at a building with a four-sided sloped roof, the wine and cigar bar, which also serves as the reception center, offering afternoon tea, wine, and cigar tastings

A curved bamboo-textured wall leads guests from the wine house to the guest area, where the hard ground transitions into soft gravel paths, evoking a vacation atmosphere. At the path’s end, a small plaza provides a moment of pause before entering the guest area, enhancing the sense of seclusion. The three minimal standalone structures sit quietly in the valley, surrounded by the forest. Facing staggered walls that obscure the rear of the space, guests are invited to imagine what lies beyond.

As guests walk through the courtyard and winding paths, they experience a series of mysterious moments before reaching the guest rooms. Upon entering, the view dramatically opens up—two concrete slabs face the valley with no obstructions. The interior flows seamlessly with 270-degree panoramic views, offering a fully immersive experience. The rooms are embraced by nature on three sides, each framing its own unique view.
To keep the structure minimal, the buildings are cast from exposed concrete with integrated beams and embedded piping, ensuring no visible ceiling beams, lighting fixtures, or suspended structures. The clean concrete slabs unify the space. The floor slab floats above the valley, respecting and connecting with the terrain, while appearing to hover above it. Between the two concrete slabs, only the serene pine valley is in sight.

From the architecture to the interior, we emphasize the beauty of the “bone structure”—the essence of space derived from careful consideration of the site’s topography, density, and scale. Skylights and strategically placed windows allow light to flow naturally through the space, reducing reliance on decorative materials and instead highlighting timeless quality. The seamless, flat floors further enhance the sense of unity, allowing for smooth circulation throughout, with indoor and outdoor spaces blending organically with nature.

The sunken bathtubs in the bathrooms are also integrated into the concrete floor during the construction process, creating a seamless, sculptural feature. The interior space is divided into distinct functional areas—living room, kitchen, bedroom, and bathroom—yet they flow into one another without strict boundaries. Multifunctional furniture wraps around corners, connecting different spaces and allowing them to blend seamlessly.

In the bathrooms, the design language of “wrapping” continues, with handmade brick walls extending from the floor to form built-in storage, transforming into a vanity on the other side. This continuity adds both interest and functionality to the minimalist space. Walnut furniture complements the natural scenery outside the windows, immersing guests in the tranquil experience of the retreat. The lighting design, layered across different functional areas, further enhances the cozy, serene atmosphere—from recessed downlights to wall sconces, pendant lights above dining tables, and sculptural lamps on counters.

Stepping through the glass doors, guests enter their private pine-forest courtyard. The outdoor floating platforms, made of wood, invite them to explore deeper into the valley. Each guest suite is separated by low walls and vegetation, ensuring privacy and exclusive outdoor spaces for each guest. The landscape design softens the boundaries between the estate and the surrounding valley, with local plants chosen to blend harmoniously with the natural environment. Delicate lights, like fireflies, dot the trees and pathways, enhancing the understated sense of seclusion.

From the enclosed privacy of the buildings to the open, flowing spaces and the seamless connection with nature, we crafted an experience of surprise and delight. The design flows effortlessly from architecture to interiors, with no unnecessary details or embellishments. By carefully considering the “bone structure” of the space, we laid a solid foundation for a high-quality, lasting retreat. Ultimately, Anadu Pine Valley offers a boundless experience of seclusion, where both architecture and the human spirit retreat into the embrace of the natural landscape.

旅程起点从庄园入口处已悄然开始酝酿静谧的氛围,竹肌理的混凝土和黑色炭化木“L”形大门,低调地融入景观,像是敞开的双臂,一边拥入一片山谷绿植,一边怀抱迎接来客。行车驶入庄园,沿着松林夹道的山路来到一栋四面坡屋顶建筑前,泊车落客,这里便是庄园的红酒雪茄吧,也作为会客中心同时承载着客房接待、下午茶、红酒和雪茄品鉴等功能。

穿过红酒室,一面竹编纹理的弧形围墙将人们引人客房区。落脚也从硬质的地面变成细软的沙石地,边缘不规则的度假感在细软的沙石行径中不断变化,路尽头设计了一方小小的广场作为入户前的驻足停留空间,进一步营造出隐秘感。三栋极简独立的建筑单体悄然坐落于山谷深处,环绕在广场周围,抬头可以望到建筑后面高大的自然松林,但还无法触碰。面对错落墙体的“阻挡”,为后面的空间留足想象。

通过院门和曲折的小径,在体验了一系列神秘的仪式感之后,当真正穿过入口封闭的“体量”进入客房,视野豁然开朗,上下两块楼板面向山谷全然打开,室内空间因为270度的景观面变得流动而通透,旅程的欣喜达到顶峰。每间客房都被自然三面环抱,拥有独特的框景。为了消隐结构,让空间最大化,建筑结构采用素混凝土一体浇筑,同时采用上翻梁并预埋管线,室内无悬梁、吊顶造型或灯线,整块的素混凝土顶板保证了空间的整体性。与建筑顶板相呼应的底板距离地面一定距离,与山谷地形自然脱开,仿佛漂浮在自然的地面上,最大程度尊重地形,又与之联系。两块混凝土楼板之间无多余立柱,只有一片山谷松境印入眼帘。局部用木头包裹,承载着部分结构和管道作用,同时也为硬朗素雅的空间增添温暖柔性的元素。

客房入口恰到好处的天窗开洞与立面开窗,让封闭的空间体量有了光的流动和自然的照见。无高差的平铺地面使得起居动线流畅,同时室内外的空间互相渗透、延展,与自然联结。此外浴室的下沉式泡池也是提前规划,整体浇筑与地面连成一体。室内空间虽然划分为客厅、厨房、卧室和卫浴等多个区域,但彼此之间没有明确界限,布局有机自然,转角的多功能家具“包裹”墙角,存在于不同区域,连接和服务于不同空间,也使空间之间过渡自然并相互融合。

在卫生间的转角处,再次使用了“包裹”的设计语言,从地面到墙面,手工砖砌筑的置物矮墙,在墙的另一侧变成了化妆台,为空间的跨越转换,也为朴素的空间增添亮点和趣味。家具选用沉稳的胡桃木,与窗外的景色相互映衬,让人更沉浸于自然居住的体验中。另外,灯光布局配合不同功能区,除了筒灯,从墙上的壁灯、餐桌上的吊灯,到台面的造型灯,用不同层次的光效烘托着温馨静谧的气氛。

打玻璃门进入独属的松林后院,屋檐下的灰空间与自然相融,每间客房都有独一无二的户外悬浮景观平台,可进一步深入山谷自然,依据地形,设置了或连接或脱离的木休闲平台。客房之间以植物和矮墙分隔,保证每户的独立性,能各自独享私域度假空间。景观设计柔化了庄园与山谷景观的边界,在植物种类的选择上,也挑选了山谷中的在地植物,有机地融入所处的自然环境。灯光犹如萤火虫,星星点点般点缀于树丛中,或在地面低矮处照亮路径,烘托低调的隐居氛围。

整个庄园由体及面,从体块包裹的私密性,到空间的开敞流动,再到与自然的连通互动,通过面体交错打造惊喜愉悦的空间体验。一座山谷,三份独属松境的隐居体验,不论是与朋友小聚还是独自度假,松林平静的力量与建筑方正的体量,相互映衬,建筑亦归隐于山林,静谧而出世。

我们八荒设计重视建筑和室内的整体设计,我们相信当建筑的结构、密度与尺度——“骨相“已经推敲到最佳的时候,室内空间的品质将不再过分依赖于装饰性材质,而显现出其真正经久的品质。

WINE HOUSE + PRIVATE VILLA low

PRIVATE VILLA 私人别墅

WINE HOUSE 红酒会所

LOCATION 地址  | ZHEJIANG 浙江
CATEGORY 类型  |  HOSPITALITY 酒店度假村

ARCHITECTURE 建筑
INTERIOR 室内设计
FEE 软装设计

Originally, an abandoned old house stood where the wine house now sits. To
preserve the memory and historical mark of the site, the new building echoes the gabled roof of the old structure, but we redesigned it into a four-sloped roof to create a harmonious, tranquil scale from every angle. The main entrance is on the southwest side, where the massing gradually opens up from exterior to interior. The building is divided into two parts: the cigar lounge on the left, enclosed and connected to the roof, and the reception area on the right, where the roof floats above the mass, allowing natural light to filter in. The double-edged shadow line details on the roof’s eaves serve both functional and aesthetic purposes, helping with dripping water and softening the roofline’s sharp tension.

红酒室的原址上本来有一栋年久失修的废弃老屋,为了保留场地印记,建筑形态回应了老建筑的坡顶肌理,但我们将原先的双坡屋顶改为四面坡顶,使从每个方向到达时,屋顶的尺度一致,更亲和、静怡。建筑主入口位于西南侧,从体到面,空间逐渐展开,从入口落客步入室内,建筑体块由一个整体分割成雪茄室和接待区两个体量。位于左侧的雪茄室体块封闭,与屋顶相连;而右侧的接待空间则与屋顶脱开,轻盈的坡屋顶悬浮于接待区的体块之上,光线逐渐引入。坡屋顶的金属屋檐边缘做了双层的阴影细节,既兼顾了滴水的功能,又从一定程度从视觉效果上减弱了尖锐的张力。

CONSTRUCTION 施工过程

WINE HOUSE 红酒会所

ASKO HOUSE 厨电展厅

LOCATION 地址  |  SHANGHAI 上海
CATEGORY 类型  |  COMMERCIAL 商业

FACADE RENOVATION 建筑改造
INTERIOR
室内设计
FEE 软装设计

AREA 535 m²

STUDIO8 has defined “responsibility” as the concept and aim of this project, expressing both the brand’s attention to the environment and STUDIO8’s sense of responsibility as an architecture firm in commercial space renovation projects. The inspiration for the interior design comes from the abstract beauty of the Nordic forest, immersing in the quality of life and environmental awareness conveyed by the space and exhibits.

八荒设计将“责任”定为设计主题,一方面表达品牌堆环境的关注,也表达了八荒作为建筑事务所,对商业空间建筑改造项目的使命感。室内设计灵感来自于北欧森林的抽象之美,让漫步于展厅的参观者仿佛置身于一片抽象的北欧森林,沉浸式地体验空间和展品所传达的生活品质和环境意识。

READ MORE 更多

BALANCE BETWEEN LIFE AND NATURE:
KITCHEN APPLIANCE SHOWROOM IN ABSTRACT NORDIC FOREST

STUDIO8 Architects recently completed the design of the Nordic kitchen appliance brand ASKO’s first domestic flagship experience center. STUDIO8 was responsible for the building facade renovation and interior design of the experience center. The experience center is located in Lujiazui Binjiang Financial City next to the old shipyard in Pudong. Each building along the street has a different architectural facade style representing its own corporate image.

How to express brand value in space? STUDIO8 has defined “responsibility” as the concept and aim of this project, expressing both the brand’s attention to the environment and STUDIO8’s sense of responsibility as an architecture firm in commercial space renovation projects.

The inspiration for the interior design comes from the abstract beauty of the Nordic forest. The architects use multiple dimensions such as technology, space, color, material, and landscape to tell multiple narratives, allowing visitors to feel as if they are walking in an abstract Nordic forest, immersing themselves in the quality of life and environmental awareness conveyed by the space and exhibits.

The building facade transforms the consideration of sustainable lifestyle into spatial language. STUDIO8 delivered a simple and responsible solution for the facade design. The second facade of matte black sunshade louvers wrap around the original glass facade. Under the sunlight, light and shadow shining through the gaps of the aluminum louvers outline the “expressions” of the two spaces divided by the building façade, leaving a quiet but significant note on this street different from other corporate pavilions on the street. The density of the shading louvers gradually become sparse from top to bottom, providing different levels of transparency and privacy for indoor spaces on different floors. From outside, the building facade looks like morning mist rising on the Nordic horizon and gradually dissipating.

The “expressions” on the façade are the result of precise calculations of the building’s orientation and the angles of sunlight at different seasons within a year. In summer, it can reduce the energy consumption required by the exhibition hall due to shading system; and in winter, it can introduce beautiful light and shadow, raising the energy efficiency inside the experience center. At the same time, its transparency allows the interior to be vaguely visible from the street. Like the concept of “forest”, it creates a profound and gentle visual experience. This design, which combines aesthetics and environmental protection, reflects the practice of sustainable lifestyle.

Based on the circulation flow and the existing structural columns on the site, STUDIO8 organically arranged a “tree array” of irregular polygons with different sizes. Especially on the first floor, the double height space near the facade resembles towering trees and, with the lighting fixtures, gives visitors an impressing feeling as if they are strolling in a primitive forest. Green plants are scattered throughout the space and terrace, showing life everywhere. There are edible spices such as mint and rosemary. While appreciating, the concept of sustainability is also embodied in the details of the space.

The balance between life and nature comes from the harmonious symbiotic relationship between humans and the environment. The aim is to create an abstract experience that transforms the physical space of the experience center into an immersive walk in nature, bringing visitors into the serene and fresh “Nordic forest” atmosphere. The architects cleverly incorporated various abstract elements of nature, such as icebergs, oceans, and forests, into the exhibition hall, allowing visitors to feel the natural tension brought by the materials and narrating the story of the Nordic forest. The metaphorical global issues such as global warming and pollution are also environmental problems that the design and brand want to focus on and explore. Communicating brand philosophy and thoughts through space is the original intention of the design this time.

The second floor is a VIP dining area where guests can feel the refinement and ceremony lifestyle in the dining space surrounded by a fireplace and an open kitchen. On this floor, the elements of the abstract Nordic forest are not as strong as on the first floor, but they are still clearly visible in the double height space connected to the first floor. The density of the sunshade louvers on the building facade of the second floor provides both a distant view of the outside and a certain degree of obstruction, providing privacy for the VIP dining area.

The third floor is a small wine and cigar room for business discussion. Here, the elements of the abstract forest are no longer visible, but are replaced by a terrace surrounded by maple trees and edible herbs, reconnecting with the city. The ground of the terrace is made of raised reclaimed wood floor, simple and environmentally friendly.

In response to the problems of excessive urbanization and unbalanced agricultural cultivation, the vertical greening, hydroponic greening, and terrace greening in the showroom have chosen edible varieties such as rosemary, basil, sage, and mint. Besides landscaping purposes, they are also provided to participants in cooking training for experience.

In the end, as a kitchen appliance brand experience center, the responsibilities that companies and architects can do and bear are still very limited, and the urgency of environmental issues requires more attention. Therefore, in different corners of the showroom, there are descriptions of the environmental situation and issues at the time of the completion of the Asko House, serving as reminders to all visitors of their environmental protection awareness.

In addition, the project also uses reclaimed materials, energy-saving lighting fixtures, and intelligent environmental protection facilities, fully reflecting the Nordic style’s emphasis on environmental protection and sustainable living. The integration of philosophy and modern technology creates an exhibition space that is not only contemporary but also highly humanistic.

This showroom design perfectly captures the essence of the balance between life and nature, demonstrating the brand’s and designer’s practice of nature and sustainable development. Through the clever integration of design elements, visitors can intuitively feel the tranquility and vitality brought by the space while exploring the journey of the abstract Nordic forest, and at the same time, rethink the importance of a sustainable lifestyle.

生活与自然间的平衡
抽象北欧森林中的厨电展厅

八荒设计近日完成了北欧厨电品牌ASKO在国内的首家旗舰体验中心设计,八荒设计负责体验中心的建筑立面改造以及室内设计。体验中心位于浦东老船厂边的陆家嘴滨江金融城,沿街建筑各自有着分别代表自己企业形象的不同建筑立面风格。
如何将品牌价值表达于空间?八荒设计将“责任”定为设计主题,一方面表达品牌堆环境的关注,也表达了八荒作为建筑事务所,对商业空间建筑改造项目的使命感。
室内设计灵感来自于北欧森林的抽象之美。设计师在技术、空间、色彩、材质和景观等不同维度多重叙事,让漫步于展厅的参观者仿佛置身于一片抽象的北欧森林,沉浸式地体验空间和展品所传达的生活品质和环境意识。
建筑立面将对可持续生活方式的思考转化为空间语言,八荒设计在此次外立面设计上交付了一个简单负责的解决方案。黑色哑光遮阳格栅的二次立面包裹在原来的玻璃立面上,在阳光照射下,铝合金遮阳格栅缝隙中透出的光影,勾勒出建筑内外两个空间的“表情”,在这条企业馆林立的街道上落下一个既有分量又安静的音符。遮阳格栅自上至下密度逐渐稀疏,为不同楼层室内空间提供不同的通透度和私密性。建筑立面从外部看起来如同北欧地平线上升起的晨雾,逐渐消散。
幕墙上的“表情”是经过对建筑朝向以及一年内不同季节日光照射角度的精密计算后,所得出的最佳角度与密度,在夏天可以减少展厅因日照所需消耗的能源,冬天则可以引入优美的光影,有效减少展厅内部的能源消耗。同时有着极强的通透性,从街道可隐约看到展厅内部,一如“森林”的概念,打造出一种意味深长而又柔和的视觉体验。美学与环保兼具的设计,体现了对可持续生活方式的践行。
八荒设计依据动线,结合场地中原有的结构柱,有机地布置了粗细不一,截面为不规则多边形的“树阵”,尤其是一楼靠近立面的挑空空间,形似参天大树,配合灯光,让初临展厅的访客仿佛漫步原始森林般震撼。绿色植物散布在展厅各处以及露台,无处不显郁郁生机。品种有薄荷、迷迭香等可食香料。观赏的同时,可持续理念也付诸在空间各处细节内。
生活与自然之间的平衡来自于人与环境的和谐共生关系。旨在创造一段将展厅物理空间转化为能使人身临其境的漫步大自然的抽象体验,将访客带入感受“北欧森林”的静谧清新。设计团队在展厅中巧妙加入各种抽象的自然元素,如冰山、海洋和森林,感受材质自带的天然张力同时亦将北欧森林的故事娓娓道来。其隐喻的全球变暖和污染等全球问题,也是本次设计及品牌想要关注探讨的环境问题。以空间传达品牌理念及思考,也正是八荒此次设计的初衷。
二楼是VIP用餐区,在壁炉和开放厨房围绕的用餐空间中,能够感受生活的精致和仪式感。在这层楼,抽象北欧森林的元素虽不像一楼那么强烈,但仍在与一楼连接的挑空空间清晰可见。二楼高度建筑立面上的遮阳格栅密度始终,既可远眺窗外,又形成一定的遮挡,为VIP用餐空间提供了私密性。
三楼是一个小型的红酒雪茄室,用于洽谈。在这里已经看不到抽象森林的元素,取而代之的是被枫树和香草围绕的露台,重新与城市连接。露台的地面是抬高的再生木地板,环保质朴。
针对过度城市化以及农耕不平衡的环境问题,展厅里的垂直绿化、水培绿化以及露台绿化选择了迷迭香、罗勒、鼠尾草、薄荷等可食品种,除了景观用途,也提供给前来参加烹饪培训的体验者。
最终,作为厨电品牌体验馆,企业和建筑师所能做的和担负的责任还是非常有限的,环境问题的迫切性需要更多人来关注。因此在展厅中的各个角落都写有一些展厅落成时的环境现状和问题,作为引起所有参观者环境保护责任的提示。
此外,展馆还采用了可再生材料、节能照明和智能环保设施,全方位体现出北欧风格对环境保护和可持续生活的重视。将理念和现代科技融合创造一个展厅空间,不仅具有未来感,也极具人文主义色彩。
本次展厅设计完美地捕捉了生活与自然平衡之美的精髓,展示了品牌及设计师对自然和可持续发展的实践。通过巧妙的设计元素融合,让访客在探索抽象北欧森林的旅程中,直观地感受空间所带来静谧与生命力,同时思考可持续生活方式的重要性。

BEFORE AND AFTER 改造前和改造后

CONSTRUCTION 施工过程

ASKO HOUSE 厨电展厅

THE CLIFF VILLA 泰国悬崖度假屋

as the project goes on , we need to make
sure all the elements co-exist harmoniously;
here site study visit for the entrance road
and the ideal car / people flow.

MLV site 1

Getting to know the site

MLV site 2

Spending precious , simple good time on site 

LOCATION 地址  | THAILAND – KO PHA NGAN 閣帕岸島 เกาะพะงัน
CATEGORY 类型  |  HOSPITALITY 酒店度假村

ARCHITECTURE 建筑
INTERIOR 室内设计

AREA 600 m²

ANTE Hill is a distinctive villa project that harmonizes individual comfort with versatile functionality across two primary spaces: MAY & LUKE’S HOME (Villa 1) and the HOLIDAY HOUSE (Villa 2). Situated on a scenic hillside, each villa offers a unique living experience while remaining closely connected to the natural landscape and architectural essence of the site.

ANTE Hill 是一个独特的别墅项目,结合了个性化的舒适体验与多功能性。项目位于风景优美的泰国岛屿的山坡上,包含两大核心空间:MAY & LUKE的家(Villa 1)和度假屋(Villa 2),在保持独特风格的同时与自然景观和建筑语汇紧密相连。

READ MORE 更多

Villa 1: MAY & LUKE’S HOME
Designed to be an intimate, personal retreat, this villa blends coziness with practical flexibility. Its layout allows for smooth transitions between spaces, fostering a warm atmosphere perfect for a private lifestyle or family gatherings. Every room in Villa 1 emphasizes comfort and intimacy, where personal connection thrives in a space that feels like home.

Villa 2: HOLIDAY HOUSE
In contrast, the HOLIDAY HOUSE is an open-concept villa that invites exploration and individuality. The architecture promotes an immersive experience, with expansive spaces that encourage guests to connect with their surroundings and feel at ease. This villa provides an ideal setting for relaxation and rejuvenation, embracing the freedom of a holiday ambiance.

Function Integration
Addressing the common challenges of hillside development, ANTE Hill seamlessly integrates essential functions like parking and the swimming pool into the overall design. These elements, often challenging to incorporate into sloped landscapes, are expertly embedded within the architecture, ensuring functionality without detracting from the aesthetic appeal. The result is a coherent, sophisticated blend of structure and nature that enhances the overall experience for all who visit ANTE Hill.

Villa 1: MAY & LUKE的家
这栋别墅被设计为一个亲密、温馨的私人空间,结合了舒适感与实用性。灵活的布局让空间间的过渡流畅自如,营造出一个适合家庭生活与私密交流的温暖氛围。Villa 1 每个房间都强调舒适和温馨,让人们在这里找到归属感。

Villa 2: 度假屋
与之形成对比的是度假屋,作为开放概念的别墅,它鼓励探索和个性化的体验。建筑布局促进了沉浸式的居住体验,开阔的空间让人感受轻松与自在,非常适合放松身心。度假屋带有假日氛围,拥抱自由的生活方式,让人完全沉浸于度假般的愉悦之中。

功能整合
针对山地项目常见的功能性挑战,ANTE Hill 将停车场和游泳池等重要功能无缝地融入整体设计中。这些在坡地中难以布置的功能通过巧妙的设计与建筑结构融为一体,既确保了实用性,又不影响美观,最终呈现出一个结构与自然和谐统一的优雅空间。

CONSTRUCTION 施工过程

ANTE CLIFF VILLA 泰国悬崖度假屋

as the project goes on , we need to make
sure all the elements co-exist harmoniously;
here site study visit for the entrance road
and the ideal car / people flow.

MLV site 1

Getting to know the site

MLV site 2

Spending precious , simple good time on site 

CISHAN OFFICE 此山办公室

LOCATION 地址  | HANGZHOU 杭州
CATEGORY 类型  |  COMMERCIAL 商业

ARCHITECTURE 建筑
INTERIOR 室内设计
FEE 软装设计

AREA
INTERIOR 300 sqm
TERRACE 190 sqm

Modern Tranquility: Zen in the Office | CISHAN’s Workspace Design
只缘身在
“此山”中,从室内到自然的切换与融合|顶层办公空间设计

READ MORE 更多

“CISHAN” is a catering company that possesses several catering brands. The office is located on the top floor of a building in a business park near Xixi Wetland. The company prides itself on a low-key, restrained, serene and rational atmosphere. We hope that in the design, the brand ethos and design concept can be subtly reflected  thoughtful material selection, strategic spatial layouts, the interplay of solid and void spaces, seamless indoor-outdoor transitions, the integration of natural landscapes, and the display of antique furniture.

Work is a part of life. In contemporary workspaces, the warmth and homely ambiance are crucial elements that cannot be overlooked. Therefore, beyond the conventional office space design, we integrate diversified spaces to meet different demands, partially domesticize the office space, and make the environment for daily work more comfortable and pleasant. The space circulations are divided into dynamic and static to respectively corresponding to the usage paths for public communication and internal office work.

The original building layout features a square and regular column grid structure. We aimed to create an open office environment that seamlessly integrates with the external environment, blending indoor spaces with outdoor nature while maintaining areas of privacy.The overall spatial structure adopts a combination of solid and void.We enclosed a relatively “solid” central island area in the center of the column grid to accommodate small conference rooms, open kitchens, and photocopying storage functions. This multi-functional central island serves as a transition between public and private spaces, separating the public area for reception and communication from the relatively private and quiet office area. The columns are partially exposed, softening the sense of enclosed volume of the central island and allowing the space to flow.

Next to the physical central island is a landscape void space to supplement the lighting, serving as another core element in the office. We hope to create a natural place for the enclosed indoor office space to connect with the outdoors. Utilizing the top-floor advantage, we partially renovated the building to design a sunken courtyard, introducing a skylight that connects the indoor space with the rooftop terrace. The courtyard features varying tree pits to accommodate different plant root systems, enriching the landscape. No matter from the “living room” reception area at the entrance of the elevator hall, through the open kitchen, or from the internal open office area and the aisle leading to the bathroom, you can see this opposite courtyard, and feel the outdoor atmosphere from the interior. The outdoor landscape and the indoor space are both independent yet intricately connected.

This natural area serves multiple functions, including providing views, lighting, partitioning, and spatial transitions, while also connecting the open office space and the meeting room.To access the meeting room, one must pass through the courtyard via a transitional gray space corridor, offering a unique experience of moving from indoors to outdoors and back. The wall design of the patio is ingenious in its extension to the roof terrace, which not only connects the upper and lower space, but also leaves a courtyard landscape frame scene for the reception room, retaining the privacy. The internal company stairs lead to the rooftop terrace, a completely outdoor space. Instead of using ready-made outdoor furniture, we custom-cast concrete into a fireplace, low tables, seats, and tree pits, backed by steel plate retaining walls and embellished with greenery, creating a multifunctional outdoor area suitable for both relaxation and work-related gatherings.

The entire office space employs a ceiling-free design, exposing the original beam structure, with spotlights providing precise lighting where needed. The pendant lights in the open office area offer both upward and downward illumination, creating a warm and inviting atmosphere. The indoor materials are simple and restrained, primarily using wood, artistic paint, and self-leveling cement. The public area’s open kitchen and tea space are wrapped in black wood panels, with black-framed glass facing the open office space. The same wood panel material is used to enclose the pipe shaft opposite the island, creating a semi-enclosed long bench space where people can rest, converse, and interact with the open kitchen. The window-side cabinets in the open office area also use black wood panels, integrated with office furniture, establishing a calm and restrained dialogue between different materials.)

Soft elements in the space come from the owner’s beloved antique furniture collection. The small stool and coffee table in the reception area, the tea table and chairs in the meeting room, the side table next to the light well corridor, and a Ming chair and a set of Chinese medicine drawers at the end of the open office area all subtly balance the office’s rational and rigid elements. Here, the combination of office space and old furniture creates a Zen-like atmosphere, serene with a touch of warmth. Extending the company’s brand ethos, the western restaurant “Shy table” is located on the ground floor of the building. From the top-floor office to the ground-floor restaurant, the design consistently conveys the brand’s restrained and serene image and character, from the overall concept to the finest details.

CISHAN OFFICE 此山办公室

LOCATION 地址  | PUGLIA-ITALY 普利亚
CATEGORY 类型  |   RESIDENTIAL  住宅

HISTORIC BUILDING RENOVATION 历史建筑改造
ARCHITECTURE
建筑
INTERIOR 室内设计

AREA 165 m²

In this project, our design team collaborated with local Trullo master craftsman Cosimo to create a vacation home for the Franco family, blending historical essence with modern design. Situated in the Valle d’Itria, this Trullo represents the rich traditional structure and profound historical charm that have made Trulli an emblem of the Puglia region. However, the project was not without its challenges, as bridging the gap between traditional craftsmanship and modern design proved complex.

八荒设计团队与当地的Trullo石匠大师Cosimo合作,为Franco家族打造了一座将历史与现代设计完美融合的度假屋。这座Trullo建筑位于意大利普利亚的伊特里亚谷地,其传统结构和深厚的历史韵味使其成为普利亚地区的象征性建筑。然而,这一项目并非易事,八荒团队在与Cosimo的合作过程中遇到了重重挑战。

READ MORE 更多

The Valle d’Itria in Puglia, Italy, is home to the iconic Trullo architecture—distinctive conical structures unique to the southern Murgia region. Spotting these structures instantly signals your arrival in Puglia. Trulli have existed for hundreds of years, though the oldest surviving examples date back only to the 16th century. This is likely because Trulli were typically built as temporary dry-stone dwellings, designed to be dismantled whenever necessary. This practice was primarily a way to avoid property taxes—imagine tax collectors arriving in Locorotondo, Alberobello, or Fasano only to find piles of stones instead of houses. Once the inspectors left, the Trulli were swiftly rebuilt, and the locals moved back in.

A typical Trullo has a cylindrical base topped with a conical roof made of limestone tiles. Despite the absence of cement, the thick white-painted stone walls provided cool interiors during summer and warmth in winter. The roofs were often adorned with protective symbols like the evil eye, crosses, or astronomical signs, capped with ornamental flourishes. The Trulli of Alberobello, recognized for their unique architectural features and historical significance, have been designated as one of Puglia’s two UNESCO World Heritage Sites and are well worth visiting.

While many Trulli are still inhabited by locals, a growing number have been transformed into luxurious holiday homes, often featuring swimming pools, making them a popular trend in recent years.

The Studio BAHAN design team collaborated with local Trullo master craftsman Cosimo to create a vacation home for the Franco family, blending historical essence with modern design. Situated in the Valle d’Itria, this Trullo represents the rich traditional structure and profound historical charm that have made Trulli an emblem of the Puglia region. However, the project was not without its challenges, as bridging the gap between traditional craftsmanship and modern design proved complex.

Cosimo’s construction methods were deeply rooted in tradition. He was well-versed in every step of the Trullo-building process but struggled to interpret modern architectural drawings. His approach relied on intuition and hands-on experience rather than the precise coordinates and annotations provided in contemporary plans. This disconnect initially stalled the project, as Cosimo was unable to align his work with the design team’s vision.

To overcome this hurdle, the BAHAN team explored various methods to establish effective communication and guidance. After prolonged adjustments and compromises, they devised an innovative solution: the designers worked directly on-site, using colored spray paint to mark specific construction points on walls and floors. This visual and intuitive method enabled Cosimo and his team to execute the design accurately without relying on conventional blueprints. Moreover, the designers patiently explained the concepts and ideas behind the design, helping Cosimo gradually integrate modern elements into his traditional craft.

During the construction process, the BAHAN team paid meticulous attention to highlighting the spatial experience of the conical roof and refining interior layouts. This approach preserved the historical characteristics of the Trullo while introducing modern comforts and aesthetics. Ultimately, the project resulted in a Trullo that retained its thick white stone walls and iconic roof while embracing the conveniences and beauty of contemporary living, breathing new life into this historic structure.

This collaboration not only marked a productive partnership between the BAHAN team and local artisans but also initiated a profound dialogue between tradition and modernity. The project demonstrates how historical architecture can be reimagined to meet the needs of modern life, creating exciting new possibilities for heritage preservation.

意大利普利亚的伊特里亚谷地(Valle d’Itria)标志性的Trullo建筑,是南部Murgia地区特有的圆锥形建筑,一看到它们,就知道来到了普利亚。Trulli建筑已有数百年历史,但现存最古老的Trulli仅追溯到16世纪。这可能是因为Trulli通常作为临时的干砌石住所建造,可以随时拆除。这种做法主要是为了应对税务官的到来, 试想,当税务官到Locorotondo、Alberobello或Fasano时,看到的只是石堆而没有房屋的情景。等检查官走了之后,Trulli又会迅速重建,当地人便重新搬回居住。
典型的Trullo建筑有一个圆柱形的基座和覆盖石灰岩瓦片的圆锥形屋顶。虽然没有使用水泥,但厚重的白色石墙在夏季保持凉爽,在冬季保暖。屋顶上通常会绘制防邪眼、十字或星象符号,并装饰有顶部饰物。Alberobello的Trulli因其独特的建筑特点和历史意义而被列入普利亚的两处联合国教科文组织世界遗产之一,非常值得一游。
虽然许多Trulli仍由当地人居住,但也有不少被改造成配有泳池的高档度假屋,成为近些年的新浪潮。
八荒设计团队与当地的Trullo石匠大师Cosimo合作,为Franco家族打造了一座将历史与现代设计完美融合的度假屋。这座Trullo建筑位于意大利普利亚的伊特里亚谷地,其传统结构和深厚的历史韵味使其成为普利亚地区的象征性建筑。然而,这一项目并非易事,八荒团队在与Cosimo的合作过程中遇到了重重挑战。

Cosimo的施工方式非常传统,熟悉每一步Trullo的工艺流程,但无法理解现代建筑图纸,导致设计与施工之间难以匹配。对于Cosimo来说,他习惯了用直观的方式建造Trullo,依赖经验和手感,而不是现代图纸中精确的坐标和标注。这种差异导致他无法根据八荒团队的设计定位准确施工,项目进展一度停滞不前。

为了弥合这一差距,八荒团队进行了多次尝试,探索有效的沟通和指导方式。经过长时间的磨合,他们最终找到了创新的解决方案:设计师亲临现场,利用彩色喷雾在墙面和地面上标记施工点,直观地将设计意图传达给Cosimo和他的团队。这样,Cosimo可以根据标记进行精确施工,而无需依赖图纸理解细节。此外,设计师还耐心地解释了设计背后的理念,帮助Cosimo逐步理解现代设计的元素,并在传统技艺中融入这些新元素。

在施工过程中,八荒团队还细致地突出圆锥屋顶的空间体验以及内部布局等细节,以保持Trullo的历史特色,同时满足现代舒适生活的需求。最终,这座Trullo在保留厚重的白色石墙和锥形屋顶的同时,融入了现代生活方式的便利与美感,焕发出新的生命力。通过这次项目,八荒团队与当地工匠之间不仅完成了一次富有成效的合作,更开启了一段传统与现代深度对话的故事,展现了历史建筑在现代生活中的新可能。

MAP  地图

ORIGINAL TRULLI  特鲁利原建筑

CONSTRUCTION 施工过程

BAIFU RESORT 白阜度假村

LOCATION 地址  | ZHEJIANG 浙江
CATEGORY 类型  |  HOSPITALITY 酒店度假村

ARCHITECTURE 建筑
INTERIOR 室内设计
FEE 软装设计
VISUAL IDENTITY 视觉识别设计

AREA 8900 m²

ANADU Baifu is a haven located in Baixi Village, Changxing County, nestled within nature and only a two-hour drive from Hangzhou. With a building area of 7,500 square meters integrated into 43,000 square meters of pristine landscape, ANADU Baifu offers expansive views of Changxing’s skyline, mountains, water, valleys, and forests.

The project features only 23 guest rooms, each with a unique design, providing 23 distinct room experiences and over 20 ways to connect with nature. The journey to ANADU takes you through serene bamboo forests, filtering out the noise of the city. As sunlight glints off the facades of the main building, guests embark on a journey of tranquil luxury. Each building is harmoniously intertwined with nature, offering spaces from gardens to lakesides and forests. With 5 architectural types, 11 buildings, 6 design themes, 23 different room configurations, and over 30 gathering options, ANADU Baifu creates a unique narrative and memorable experience for every guest.

ANADU 白阜是一个“离网”世外桃源,位于⻓兴县白岘村,环抱在自然之中,距杭州仅两小时车程。项目占地7500平方米,坐落于43000平方米的大自然中,俯瞰长兴的山、水、谷、林与城市天际线。ANADU白阜仅设有23间客房,却提供23种不同的房型体验,满足多样化的居住需求,带来超过20种不同的自然连接体验。这里设有丰富的餐饮和休闲设施,带领住客穿行于幽静的竹林、远离城市喧嚣的旅程。每栋建筑皆与自然融为一体,每个角落从花园到湖畔、从森林到草地,都承载着独特的故事,等待住客去发现。项目涵盖5种建筑类型,11栋建筑,6个设计主题,23种房型及超过30种聚会方式,使每一位住客都能留下ANADU独有的记忆。

CONSTRUCTION 施工过程

BAIFU RESORT 白阜度假村

LOCATION 地址  | THAILAND – KO PHA NGAN 帕岸島 เกาะพะงัน
CATEGORY 类型  |  HOSPITALITY 酒店度假村

ARCHITECTURE 建筑
INTERIOR 室内设计

TYPOLOGY 1   220sqm
TYPOLOGY 2  305sqm

The ANTÈ HILL Villa Project on Thailand’s Koh Phangan unites those with a shared lifestyle philosophy, offering top-quality architectural spaces and bespoke living experiences. Situated on a serene ridge with three surrounding bays, the site benefits from equatorial sunlight and a panoramic ocean view. There are 5 villas in total. Each villa’s living space is elevated for optimal vistas, blending harmoniously with the terrain. Unlike typical hillside structures, BAHUANG has designed an open-air living area beneath the villas, integrating with the landscape and providing a breezy, comfortable outdoor space, enriched with traditional Thai architectural ambiance. ANTÈ HILL villas are ready for move-in with hotel-style amenities, including furniture, appliances, kitchenware, and all essentials. The project offers two villa types: two-bedroom villas (805m²-970m²) and three-bedroom villas (1,020m²-1,100m²), allowing each resident to enjoy unparalleled sea views.

八荒泰国帕岸岛ANTÈ HILL别墅项目将相似生活理念的人们聚集在一起,打造卓越的建筑空间品质与量身定制的生活体验。项目位于岛上一片宁静的山脊,拥有三面海湾环绕的优越地理位置,享有南北朝向的赤道阳光。一共五栋别墅,每栋别墅起居空间均被抬高,以确保最佳视野并与场地地形完美融合。区别于传统山地建筑的设计,八荒创新性地在建筑下方设计了开放式的户外生活区,使建筑与自然景观无缝连接,并带来通风舒适的居住体验,唤起泰式建筑的独特氛围。ANTÈ HILL别墅提供酒店式拎包入住体验,包括家具、电器、厨具及其他生活必需品。项目共有两种户型选择:两卧别墅(占地面积805㎡-970㎡)和三卧别墅(占地面积1,020㎡-1,100㎡),让每位住户都能拥有无与伦比的海景享受。

MAP  地图

SITE PICTURES 现场照片